Galerie Hubert Winter

Nancy Haynes

Catalogs and Exhibitions' Reviews


Steininger, Florian. “Abstract Painting Now! Gerhard Richter, Katharina Grosse, Sean Scully…” exhibition catalogue, Kunsthalle Krems, Krems.


“Nancy Haynes. the painting undressed” exhibition catalogue, 3A gallery, New York.


Alfred MacAdam, “Nancy Haynes – Illusion and Absence -  Paintings"  exhibition catalogue, Galerie Hubert Winter, Vienna.


Wei, Lilly, “Nancy Haynes at Stark Gallery,” Artnews, June. 
McDonough, Tom, “Nancy Haynes at Stark Gallery,” Art in America, October.


Petry, Michael. Art & Design – “A Thing of Beauty is... “, Profile  No. 54, p. 13. 
Worth, Alexi. “After the Fall - Aspects of Abstract Painting since 1970,” Artnews, October. 
“After the Fall - Aspects of Abstract Painting since 1970,” exhibition catalogue, Newhouse Center of  Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, curated by  Lilly Wei.


Castle, Frederick, Ted. “Ronald Bladen, Nancy Haynes and Olivier Mosset,” Review, AprFrank, Peter. ArtScene, April.


Gilbert-Rolfe , Jeremy.  “IIII Generations,” exhibition catalogue, Woodbury University Art Gallery, Burbank.
Lew Thomas. “New York Abstract,” Contemporary Arts Center. exhibition catalogue, New Orleans.
Yau, John. “Out of the Cul de Sac and into the Fire,”  exhibition catalogue for Abstraction from Two Coasts, Lawing Gallery, March.


MacAdam, Barbara. “Nancy Haynes,”  Artnews, January, p. 160.
Wilson Lloyd, Ann. “Nancy Haynes,” Art in America, May. 


Tema Celeste, “ Nancy Haynes,” Winter, Number 39.
Welish, Marjorie. “A Literature of Silence,” exhibition catalogue, John Good Gallery, New York.


Aporetical Incident. Tema Celeste, April - May.
Barnes, Curt. “Travels Along the Dialectic:  Hit-and-Run Observations on Interdimensionality”, College Art Association.
Carrier, David. “Afterlight: Exhibition Abstract Painting in the Era of Its Belatedness”, Arts, March.   
Clark, Trinkett  “Parameters:  Nancy Haynes”, exhibition publication,  The Chrysler Museum, Norfolk, VA, April - June.
Handy, Ellen. “Nancy Haynes:  New York in Review” Arts, January, p. 75.
McGreevy, Linda. “Opposing Views,” Port Folio, p. 27.
Pardee, Hearne. “Nancy Haynes,” Artnews, January, p. 129.
Taylor, Frederieke.  “55 Ferris Street,” exhibition catalogue,  May, New York.
Welish, Marjorie. “Abstraction, Advocacy of”, Tema Celeste January - March, p. 94-95.


Art Journal, Spring, Volume 50,  Number 1, p. 30.
Litterfield, Kinney. “Filling the Primal Paradoxes ,” Press-Telegram, Long Beach,  Sunday, December 8, p. 6.
Reynolds, Jock. “American Abstraction At The Addison,” Exhibition Catalogue for the Addison Gallery of American Art, Phillips Academy, p. 64.


Brenson, Michael. “Nancy Haynes,” The New York Times, May 18.
Carrier, David. “Extending the Language of Abstraction,”  Art International, Autumn, p. 61.
Enders, Alexandra. “Space Shapers: Contemporary Artists Structure Their Past and Document the Present,” Art & Antiques, May,  p. 51.
New Observations, No. 73, January - February, p. 17.


Baker, Kenneth. “Abstract Jestures,” Artforum, September, p.134-38.
Baker, Kenneth. San Francisco Chronicle, June 24.
Fine, Amy and Collins, Bradley Jr.” Nancy Haynes at John Good,” Art in America, March, p. 147.
Gilbert-Rolfe, Jeremy. “Nancy Haynes,” April.
Smith, Roberta. “The East Village's Art Galleries are Alive in SoHo,” The New York Times, January 27, p. 19.
Zimmer, William. “The Poetic and the Visual,” The New York Times,  April 2, p. 22.
Zimmer, William, “Nancy Haynes,” Artnews.


“A Debate on Abstraction,” catalog for Leubsdorf Art Gallery, Hunter  College, New York, December. 
Braff, Phillis. “New Generation Shows Its Colors,”  The New York Times, May 22, p. 26.
Cyphers, Peggy. “Nancy Haynes,”Arts,  September, p. 101-102.
“Formal,” catalog for Dart Gallery, Chicago.
Gilbert-Rolfe,Jeremy. “Nonrepresentation in 1988:  Meaning-Production Beyond the  Scope of the  Pious,” Arts, May, p. 33.
“New York Now,” Catalogue for Norrkopings Konstmuseum, Sweden, November.
Ramael, Greet. Knack, review,  Belgium, January 27
Spector, Nancy. “Rigor,” Artscribe, January - February, p. 68-69.


Van Den Abeele, Lieven. De Standaard, review, Belgium, January 23.
Wei, Lilly. “Talking Abstract:  Part Two,” Art in America,  December, p. 118-119.


Raynor, Vivian. “Geometry Now,”  The New York Times,  October 3. 
Silverthorne, Jeanne. “Nancy Haynes,” Artforum, review, November.


Austin, Charles. NYB, January.
Bell, Jane. Artnews, September.
Bool, Flip. Museumjournal,  (The Hague, Holland).
Brenson ,Michael. “Nancy Haynes,” The New York Times, January 18.


Minne, Florent. De Standaard, Brussels, Belgium, May 6.
Peters, Philip. De Tijd, (The Hague, Holland), April 26.
Pulchri (museum publication), Haags Gemeentemuseum, March.
VanSanten, Ingrid. Het Binnenhut,  The Hague, Holland, March 30.
Watkins, Eileen. Star Ledger, New Jersey. April 14.
Westfall, Stephen. “Nancy Haynes at John Gibson,” Art in America, November.
Zimmer, William. The New York Times, April 2.


“1984 Winter,” Catalogue for P.S. 1, January.
Saxon, Erik. “Appearances,” No. 10, Winter Issue.


Brooks, Valerie F. Arts Extra, WBAI-FM Radio, June 24.
Flam,Jack. Artists Choose Artists, June.
Glueck, Grace. The New York Times, December 10.
Mays, John Bentley  The Globe and the Mail, January 14.
Mays, John Bentley. The Globe and the Mail, February 26.
Pulchri, Haags.  Gemeentemuseum, The Hague, Holland, January.
Russell, John. The New York Times, June 10.



Art Omni International, “Francis J. Greenburger Awards/2001,” Lilly Wei on Nancy Haynes.


Ebert, Hitrud, “Schone ote Spreache,” Made in USA, Freitag 12, March.
MacAdam, Barbara, “Something to Glow On,” Artnews, Summer.
Weidle, Barbara, “Letter from Barbara,”, Summer.


Jeremy Gilbert-Rolfe, “Endspace: From a real to an absolute – Nancy Haynes’ paintings 1974 – 1998,” Edition Fondation Leschot, Bern.


Gilbert-Rolfe, Jeremy. Art & Design . “Cabbages,  Raspberries and Video's Thin Brightness, -  Painting in the Age of Artificial Intelligence,” Profile No. 48 (May/June), pp. 14-23.
Protzman, Ferdinand, “Minimalists with Maximum Skill,” The Washington Post, June 8.


Arts & Antiques, Openings. October, p. 24.


Galligan, Gregory. “Rescripting The Sublime ,” Art International, Summer, p. 56-58.
Gilbert-Rolfe, Jeremy. The Current State of Nonrepresentation, Vision Arts Quarterly,  Spring, p.  3-7.