Fred Sandback. Berlin: Galerie Thomas Schulte, Berlin, 2022. Text by Leonie Pfennig.
Fred Sandback. São Paulo: Instituto Çarê, 2022. Text by Lilian Tone.
Fred Sandback. Brussels: Fondation CAB, 2021. Text by Louis De Mey.
Fred Sandback. Granada: Centro José Guerrero, 2021. Text by Francisco Baena Diaz and Lilian Tone.
Fred Sandback: Obangsaek. Seoul: Gallery Hyundai, 2019. Text by Yve-Alain Bois (reprint of “A Drawing that Is Habitable,” 2005).
Celant, Germano. Fred Sandback. Milan and London: Cardi Gallery, 2018.
Luis Barragán/Fred Sandback. Las propriedades de la luz/The Properties of Light. Berlin: Hatje Cantz; Mexico City: Proyectos Monclova, 2017. Texts by Federica Zanco, Daniel Garza Usabiaga; discussion with Roger Duffy, Amavong Panya, Lilian Tone, and Edward Vazquez.
Mavridorakis, Valérie. Fred Sandback, ou le fil d’Occam. Paris: Galerie Marian Goodman, 2018. Expanded and revised edition.
Bois, Yve-Alain and Lisa LeFeuvre. Fred Sandback. New York: David Zwirner Books, 2017.
Fred Sandback. Mie, Japan, Tokyo, Berlin, New York: Akira Ikeda Gallery, 2017. Text by Makiko Matake.
Vazquez, Edward. Aspects: Fred Sandback’s Sculpture. Chicago and London: University of Chicago Press, 2017
Fred Sandback: Prints, 1970-2000. London: Sims Reed Gallery, 2015. Texts by Lyndsey Ingram and Nancy Princenthal.
Fred Sandback. Madrid: Galeria Cayon, 2015. Text by Edward Vazquez.
Fred Sandback: Drawings. Düsseldorf: Richter Verlag, 2014. Texts by Mark Godfrey, Heinz Liesbrock, Dieter Schwarz, Edward Vazquez, and Gianfranco Verna.
Lawrence, James. Fred Sandback. New York: David Zwirner; Santa Fe: Radius Books, 2013.
Fred Sandback. Denver, Colorado: Museum of Contemporary Art, 2011. Texts by David Adjaye, Adam Lerner, and Fred Sandback.
Fred Sandback: Raume zeichnen/Drawing Space. Bielefeld: Kerber Verlag, 2011. Texts by Reinhard Spieler and Kerstin Skorbanek. Interview with Fred Jahn by Kerstin Skrobanek.
Fred Sandback. Zeichnungen, die man bewohnen kann. Leverkusen: Museum Morsbroich, 2011. Texts by Fritz Emslander and Fred Sandback.
Fred Sandback: Sculpture and Works on Paper. Wellesley, Massachusetts: Davis Museum and Cultural Center, 2010. Texts by Edward Vazquez and Elizabeth Wyckoff.
Tone, Lilian. Fred Sandback. Rio de Janeiro and Sao Paulo: Instituto Moreira Salles, 2010.
Fred Sandback New York: David Zwirner; Göttingen: Steidl, 2009. Text by John Rajchman.
Fred Sandback. Auckland: Jensen Gallery, 2009. Text by Leonhard Emmerling.
Fred Sandback. Exh. cat. New York: Zwirner & Wirth, 2007. Texts by Pamela M. Lee and Fred Sandback.
Fred Sandback. Exh. cat. Munich: Metropol Kunstraum, 2007. Texts by Markus Michalke and Christiane Meyer-Stoll.
Fred Sandback. Exh. brochure. Edinburgh: Fruitmarket Gallery, 2006.
Fred Sandback: Sculpture and Related Works. Exh. cat. Laramie: University of Wyoming Art Museum, 2006. Texts by Susan Moldenhauer and David Raskin.
Fred Sandback. Exh. brochure. Vaduz: Kunstmuseum Liechtenstein, 2005. Text by Christiane Meyer-Stoll.
Fred Sandback. Exh. cat. Cambridge, England: Kettle’s Yard, 2005. Texts by Elizabeth Fisher, Michael Harrison, Lynne Cooke, and Fred Sandback. Published with separate insert documenting the exhibition.
Fred Sandback. Exh. cat. Vaduz: Kunstmuseum Liechtenstein; Edinburgh: Fruitmarket Gallery; Graz: Neue Galerie am Landesmuseum Joanneum; Bordeaux: capcMusée d’art contemporain; Ostfi ldern-Ruit: Hatje Cantz, 2005. Texts by Christiane Meyer-Stoll, Yve-Alain Bois, Thomas McEvilley, Thierry Davila, et al.
Fred Sandback: Drawings/Zeichnungen, 1968–2000. Exh. cat. Zürich: Annemarie Verna Galerie; Düsseldorf: Richter Verlag, 2005. Text by Gianfranco Verna.
Fred Sandback: Sculpture and Related Works. Exh. brochure. Sioux City: Sioux City Art Center, 2005. Text by David Raskin.
Fred Sandback Prints: A Survey. Exh. brochure. New York: Susan Sheehan Gallery, 2004. Text by Andrew Ehrenworth.
Fred Sandback, 1943–2003. Exh. cat. Zürich: Annemarie Verna Galerie, 2004. Text by Gianfranco Verna.
Fred Sandback. Exh. cat. New York: Zwirner & Wirth, Lawrence Markey Gallery, 2004. Texts by Fred Sandback
Fred Sandback: Escultura. Exh. cat. Mexico City: Museo Tamayo, 2002. Texts by Sari Bermúdez, Saul Suarez, Lynne Cooke, and Fred Sandback. Interview with Fred Sandback by Joan Simon.
Fred Sandback: Sculpture. Exh. brochure. Kingston: Fine Arts Center Galleries, University of Rhode Island, 1999. Text by Judith Tolnick. Here and Now: Fred Sandback. Exh. brochure. Leeds: Henry Moore Institute,1999. Text by Fred Sandback.
Mavridorakis, Valérie. Fred Sandback, ou le fil d’Occam. Brussels: La Lettre volée, 1998.
Fetz, Wolfgang, ed. Fred Sandback. Exh. cat. Bregenz: Bregenzer Kunstverein, Palais Thurn und Taxis, 1997. Interview with Fred Sandback by Joan Simon.
Fred Sandback: Sculpture. Exh. brochure. New York: Dia Center for the Arts, 1996. Text by Lynne Cooke.
Fred Sandback: Sculpture. Exh. brochure. Iowa City: University of Iowa Museum of Art, 1996. Text by Stephen Prokopoff.
Fred Sandback. Exh. cat. Stockholm: Magasin 3, Stockholm Konsthall, 1991. Text by Sasha M. Newman.
Fred Sandback: Sculpture. Exh. cat. New Haven: Yale University Art Gallery; Houston: Contemporary Arts Museum, 1989. Texts by Suzanne Delehanty, Sasha M. Newman, Richard S. Field, and Phyllis Tuchman.
Fred Sandback: Diagonal Constructions/Broken Lines; Skulpturen und Zeichnungen. Exh. cat. Hannover: Kestner-Gesellschaft, 1987. Texts by Carl Haenlein, Carsten Ahrens, and Fred Sandback.
Fred Sandback: Die gesamte Grafik. Exh. cat. Munich: Galerie Fred Jahn in co-production with Städtisches Museum Leverkusen, Schloss Morsbroich, 1987. Texts by Rolf Wedewer and Fred Jahn. Another edition, without the text of Rolf Wedewer, was published as Fred Sandback: Werkverzeichnis der Druckgrafik, 1970–1986. Munich: Galerie Fred Jahn, 1987.
Fred Sandback: Vertical Constructions. Exh. cat. Münster: Westfälischer Kunstverein, 1987. Texts by Marianne Stockebrand and Fred Sandback.
Fath, Manfred, ed. Fred Sandback: Sculpture, 1966–1986. Exh. cat. Munich: Galerie Fred Jahn, 1986. Texts by Manfred Fath, Fred Jahn, and Fred Sandback.
Fred Sandback. Exh. cat. Zurich: Kunsthaus Zürich, 1985. Texts by Gianfranco Verna, Lisa Liebmann, and Toni Stooss.
The Art of Fred Sandback: A Survey. Exh. cat. Champaign-Urbana: Krannert Art Museum,University of Illinois, 1985. Interview with Fred Sandback by Stephen Prokopoff.
Fred Sandback. Exh. cat. Munich: Kunstraum, 1975. Texts by Hermann Kern and Fred Sandback.
Fred Sandback: Druckgrafik 1975. Exh. cat. Munich: Edition der Galerie Heiner Friedrich, 1975. Text by Fred Jahn.
Fred Sandback. Exh. cat. Livorno: Galleria Peccolo, 1974. Texts by Fred Sandback, Grégoire Muller, and Carl Andre.
Fred Sandback: Grafik, Zeichnungen. Exh. brochure. Leverkusen: Städtisches Museum, Schloss Morsbroich, 1974. Text by Walter Ehrmann.
Künstler im Museum: Einraumausstellung ’74.] Exh. cat. Essen: Museum Folkwang, 1974.
Fred Sandback: Installations. Exh. cat. Krefeld: Museum Haus Lange, 1969. Text by Paul Wember.
Salmon, Béatrice, Alain Lombard, eds. A Story of Art. Yvon Lambert: A Collection, A Donation, A Venue. Paris: Centre national des Arts Plastiques; Avignon: Collection Lambert; Paris: Éditons Dilecta, 2023.
Fischer, Søren, ed. Vom Zauber der Hand Bewegung. Eine Geschichte der Zeichnung im 20. und 21 Jahrhundert. Kaiserslautern, Germany: Museum Pfalzgalerie; Berlin and Munich: Deutscher Kunstverlag, 2022.
Fullaondo, Maria. Colors of Rhetoric: Places of Invention in the Visual Realm. Novato, CA: Applied Research and Design Publishing, 2023.
Le Silo. Collection Billarant 06. Dijon: Les Presses du réel, 2022.
Still Alive: Aichi Triennale 2022. Nagoya: Kokushokankokai, 2022.
50 Jahre. Vienna: Galerie Hubert Winter, 2021.
De Bellis, Vincenzo and Arturo Galansino, eds. American Art 1961–2001. Venice: Marsilio Editore, 2021.
Fogle, Douglas and Hannah Skerath, eds. Making Strange: The Chara Schreyer Collection. New York: DelMonico Books/DAP, 2021.
Foreman, Kamilah, N., Matilde Guidelli-Guidi, and Sophia Larigakis, eds. An Introduction to Dia’s Locations and Sites. New York: Dia Art Foundation, 2021.
Roettig, Petra, ed. Serien: Druckgraphik von Warhol bis Wool. Hamburg: Hamburger Kunsthalle; Berlin, Esslingen, Cologne: DCV Books, 2021.
Ways of Seeing Abstraction: Works from the Deutsche Bank Collection. Bielefeld: Kerber Verlag, 2021. Texts by Anna Herrhausen, Friedhelm Hütte, Jan Kedves, and Olover Koerner von Gustorf.
Eccher, Danilo, et al. Coversaciones sobre arte: Del espacio institutional al espacio público. Buenos Aires: Fundación Proa, 2020.
Meron, Aya, ed. Shutters and Stairs. Elements of Modern Architecture in Contemporary Art. Jerusalem: Israel Museum, 2020.
Pepper, E. V. The Minimalist Art Coloring Book. Monee, IL; n.p., 2020.
Bardouil, Sam and Till Fellrath. Walking Through Walls. Berlin: Gropius Bau; Milan: Silvana Editore, 2019.
Bradbury, Dominic. Atlas of Mid-century Houses. London: Phaidon, 2019.
Minimalismo, Posminimalismo y Conceptualismo ’60–’70. Buenos Aires: Fundación Proa, 2019.
Seligman, Isabel. (ed.). Pushing Paper: Contemporary Drawing from 1970 to Now. London: British Museum, 2019.
A luta continua. The Sylvio Perlstein Collection. New York: Hauser & Wirth, 2018. Texts by David Rosenberg, Matthieu Humery, and Luc Sante; conversation between Marc Payot and Sylvio Perlstein.
David Zwirner: 25 Years. New York, London, Hong Kong: David Zwirner, 2018. Texts by David Zwirner, Robert Storr, and Richard Shiff.
David Zwirner: Art Basel 2018. New York, London, Hong Kong: David Zwirner.
Friedrich, Heiner, Thierolf Corrinne. Ich will nichts über mich sagen. Es geht um die Kunst. Heiner Friedrich im Gespräch mit Corinne Thierolf. Munich: Schirmer Mosel, 2018.
Pastels, du 16e au 21 e siècle. Lausanne: Fondation de l’Hermitage, 2018. Texts by Sylvie Wuhrmann and Aurélie Couvreur et al.
Noorthoorn, Victoria, Peter Gorschlüter, Klaus Görner, Javier Villa, and Gaby Comte, eds. A Tale of Two Worlds: A Dialogue between the MMK Collection and the History of Experimental Latin American Art, 1940s–1980s. Bielefeld: Kerber Verlag, 2018.
Space Shifters. Hayward Gallery, London. Essays by Cliff Lausen, Dawna Schuld, Lynn Zelevansky et al. London: Hayward Gallery Publishing, 2018.
Artist/Work/Lisson. London, New York: Lisson Gallery, 2017.
A–Z Die Sammlung Marzona/The Marzona Collection. Berlin: Staatliche Museen zu Berlin; Dortmund: Kettler Verlag, 2017. Foreword by Udo Kittelmann, Sandback text by Andreas Schalhorn.
Aalders, Steven and Robert van Altena. De Vijf/De Lijn. Amsterdam: Prometheus, 2017.
Aalders, Steven and Robert van Altena. Thoughts of a Painter: The Fifth Line. Steven Aalders Interviewed by Robert van Altena. London: Koenig Books, 2017.
Busching, Claudia and Pomona Zipser, eds. In den Raum zeichnen: Umreißen–Verdichten–Spuren. Berlin: Metropol Verlag, 2017.
Coppel, Stephen, Catherine Daunt, and Susan Tallman. The American Dream: Pop to the Present. London: British Museum, Thames & Hudson, 2017.
Floyd, Juliet. “The Fluidity of Simplicity: Philosophy, Mathematics, Art.” In: Simplicity: Ideals of Practice in Mathematics and the Arts. Roman Kossak and Philip Ording, eds. Cham, Switzerland: Springer, 2017.
In die dritte Dimension: Raumkonzept vom Bauhaus bis zur Gegenwart. Frankfurt am Main: Städel Museum, 2017. Texts by Phillipp Demandt and Jenny Graser.
Kennedy, Juliette. “Kant, Co-production, Actuality and Pedestrian Space: Remarks on the Philsophical Wrintings of Fred Sandback. In: Simplicity: Ideals of Practice in Mathematics and the Arts. Roman Kossak and Philip Ording, eds. Cham, Switzerland: Springer, 2017.
Minimal Art from the Marzona Collection. London: Galerie Thaddeus Ropac, 2017. Texts by Thaddeus Ropac and Alistair Rider.
Pinakothek der Moderne Kunst, Graphik, Design, Architektur/Art, Prints and Drawings, Design Architecture. Berlin: Hatje Cantz, 2017. Texts by Michael Hering, Andres Lepik, Bernhard Maaz, and Angelika Nollert.
Rhona Hoffman: 40 Years. Chicago: Rhona Hoffman Gallery, 2017.
Rogge, Juliana and Miriam Schroth, eds. Format: 35 Jahre Sammlung Schroth. Soest, Germany: Stiftung konzeptuelle Kunst, 2017.
Schwarz, Dieter. Kunstmuseum Winterthur Katalog der Gemälde und Skulpturen. Vol. 5. Winterthur: Kunstmuseum Winterthur; Düsseldorf: Richter Verlag, 2017.
Schwarz, Dieter. Von David Smith bis Richard Tuttle. Kunstmuseum Winterthur Graphische Sammlung. Vol. 3. Winterthur: Kunstmuseum Winterthur, 2017.
Thea Djorjadze: Inventur SGSM. Pinakothek der Moderne, Staatliche Graphische Sammlung München, Munich. October 19, 2017–January 14, 2018.
Vom Raum an die Wand: Bildauergrafik. Heilbronn, Germany: Kunsthalle Vogelmann, 2017. Texts by Marc Gundel and Kerstin Skrobanek.
Ways of Seeing. Istanbul: Arter, 2017. Texts by Sam Bardaouil and Till Fellrath, Mary Action, and Stephanie Moser.
Ways of Seeing. Brussels: Boghossian Foundation, 2017. Texts by Ralph Boghossian, Sam Bardouil and Till Fellrath, Mary Acton, and Stephanie Moser.
Architecture of Life. Rinder, Lawrence, ed.; foreword by Nicholas B. Dirks; texts by Lawrence Rinder, Sabrina Dalla Valle, Padma Maitland, Spyros Papapetros, Lisa Robertson, and Rebecca Solnit.
Celant, Germano. Virginia Dwan and Dwan Gallery. Milan: Skira, 2016.
Drawing Dialogues: Selections from the Sol LeWitt Collection. New York: Drawing Center, 2016. Texts by Claire Gilman and Beatrice Gross.
Edwards, Adrienne. Blackness in Abstraction. New York: Pace Gallery, 2016.
Hardemann, Doede and Patrick Elliot. Van Rodin tot Bourgeois: Sculptuur in de 20ste Eeuw. Lichtervelde, Netherlands: Kannibaal bvba / Hannibal 2016.
Kandel, Eric R. Reductionism in Art and Science: Bridging the Two Cultures. New York: Columbia University Press, 2016.
Kruszynski, Annette. Cloud & Crystal: The Dorothee and Konrad Fischer Collection. Dusseldorf: Kunstsammlung Nordrhein-Westfalen; Bielefeld: Kerber Verlag, 2016.
Gassner, Hubertus, Petra Roettig, and Andreas Stolzenburg, eds. Zeichnungsraume: Positionen zeitgenosisscher Graphik. Hamburg: Hamburger Kunsthalle; Bielefeld: Kerber Verlag, 2016.
Line. London: Lisson Gallery, 2016. Text by Mary Dole and Kate Macfarlane.
Loersch, Philip. Alphabet. Berlin: Revolver and Galerie Jette Rudolph, 2016.
Meyer, James, with Paige Rozanski and Virgina Dwan. Los Angeles to New York: Dwan Gallery, 1959-1971. Washington, DC: National Gallery of Art, 2016.
Schor, Gabriele, ed. Open Places/Secret Places. Works from the Sammlung Verbund. Brussels: Bozar; Vienna: Sammlung Verbund, 2016.
Selldorf Architects: Portfolio and Projects. London: Phaidon, 2016. Text by Ian Volner; interview with Annabelle Selldorf by Tom Eccles.
Suchere, Eric. Ligne Structure Timbres Espace. In Motifs et partis pris. Paris: Galerie Jean Fournier, 2016, pp. 27-34.
Von dem Knesebeck, Alexandra, ed. Vom Informel bis zum kritischen Realismus: Graphik aus der Sammlung Mulstroh. Bonn: LVR Landesmuseum, 2016.
Future Present. The Collection of the Emanuel Hoffman-Stiftung: Zeitgenoessische Kunst von der Klassischen Moderne bis heute. Schaulager: Basel, 2015. Texts by Maja Oeri, Ralph Ubl, et al. Kono, Michiko, ed. Le Fil rouge. Paris: Espace Louis Vuitton, 2015.
Malsch, Friedemann, ed. Aus der Sammlung. Vaduz: Kunstmuseum Liechtenstein; Bielefeld: Kerber Verlag, 2015.
More Konzeption-Conception. Dortmund: Kettler Verlag, 2015. Texts by Markus Heinzelmann, Noemi Smolik, and Daniel Marzona. This publication was accompanied by a facsimile reprint of Konzeption-Conception. Dokumentation einer heutigen Kunstrichtung. Leverkusen: Staedtisches Museum, Schloss Morsbroich, 1969.
Proportio. Ghent: Axel and May Verwoordt Foundation in association with MER Paper Kunsthalle, 2015.
Simon, Joan. Oliver Ranch. New York: Gregory R. Miller, 2015.
Auf der Spur der Erfindung: Bildhauer zeichnen. Dusseldorf: Kunstkademie Dusseldorf, 2014. Texts by Siegfried Gohr and Erika Koltzsch.
Contrapositive. Krems: Galerie Stadtpark; Vienna: Schlebrugge Editor, 2014. Texts by David Komary.
David Zwirner: Art Basel. New York: David Zwirner, 2014.
Le Silo. Collection Billarant 02. Dijon: Les Presses du reel, 2014.
Leitlinien. Die Kunst des Zeichnens von Arnold Bocklin bis Richard Tuttle. Chur, Switzerland: Bundner Kunstmuseum, 2014. Text by Stephan Kunz.
Proyectos Dos Mil Trece. Bogota: NC Arte, 2014. Text by Claudia Hakim; Sandback text by Erika Martinez Cuervo.
92. Jahresbericht, 2012 Kunstverein Winterthur. Winterthur: Kunstverein Winterthur, 2013. Texts by Jurg Spiller and Dieter Schwarz.
Bruderlin, Markus, ed. Kunst und Textil. Ostfildern: Hatje Cantz, 2013.
Celant, Germano, ed. When Attitudes Became Form: Bern 1969/Venice 2013. Milan: Fondazione Prada, 2013.
Ecker, Bogomir, Ulrike Lorenz, and Stefanie Patruno, eds. Nur Skulptur! Heidelberg: Kehrer Verlag, 2013.
Sediment. Galerie Heiner Friedrich, Munchen, Koln, New York, 1963Ð1980, nos. 21Ð22, 2013.
When Now Is Minimal. Die unbekannte Seite der Sammlung Goetz/The Unknown Side of the Goetz Collection/Il lato sconosciuto della Sammlung Goetz. Ostfildern: Hatje Cantz, 2013. Texts by Karsten Lockemann, Angelika Nollert, Letizia Ragaglia, Dominic Eichler, and Ingvild Goetz.
Indicate. Sale, Victoria, Australia: Gippsland Art Gallery, 2013. Text by David Hagger.
Judith Fegerl #65 Hot Wired. Vienna: Galerie Hubert Winter, 2013. Text by Francesco Stocchi.
Why Painting Now? Nuremberg: Verlag fur moderne Kunst, 2013.
Art and The City. Das Festival fur Kunst im offentlichen Raum in Zurich-West.Christopher Doswald, ed. Zurich: JRP Ringier, 2012. Text on Sandback by Gianfranco Verna.
Bayerische Staatsgemaldesammlungen Jahresbericht 2003-2006. Munich: Bayerische Staatsgemaldesammlungen, 2012.
Butler, Cornelia et al. From Conceptualism to Feminism, Lucy Lippards Numbers Shows, 1969-1974. London: Afterall Book, 2012.
Contrapositive: Alice Cattaneo, Fred Sandback. Krems, Austria: Galerie Stadtpark, 2012. Text by David Komary.
Holzwarth, Hans Werner. Modern Art, 1870-2000. Impressionism to Today. Cologne: Taschen, 2012.
Lines of Thought. London: Parasol Unit, 2012. Texts by Ziba Ardalan and Tom Morton.
Materializing Six Years. Lucy R. Lippard and the Emergence of Conceptual Art.Catherine Morris and Vincent Bonin, eds. Brooklyn, NY: Brooklyn Museum; Cambridge, Mass.: MIT Press, 2012.
Notations: The Cage Effect Today. New York: Hunter College, 2012. Texts by Jennifer Raab, Joachim Pissaro, Julio Grinblatt, and Bibi Calderaro.
Painting with Architecture in Mind. Edward Whittaker and Alex Landrum, eds. Bath, England: Wunderkammer Press, Bath School of Art and Design, 2012.
Schor, Gabriele, ed. Open Places/Secret Places. Werke aus der Sammlung Verbund.Cologne: Verlag der Buchhhandlung Walther Konig, 2012.
To The Museum of Modern Dreams. Kunstlerpositionen der 1960er bis 1980er Jahre.Corinna Hoper, ed. Ostfildern Ruit: Hatje Cantz, 2012.
Wiehager, Renate. Minimalismus in Deutschland. Die 1960er Jahre/Minimalism in Germany. The Sixties. Ostfildern Ruit: Hatje Cantz, 2012.
90. Jahresbericht, 2010 Kunstverein Winterthur. Winterthur: Kunstverein Winterthur. Texts by Jurg Spiller and Dieter Schwarz.
Berry, Ian, Jack Shear, eds. Twice Drawn: Modern and Contemporary Drawings in Context. Saratoga Springs, NY: Frances Young Tang Teaching Museum and Art Gallery, Skidmore College; Munich, New York: Prestel, DelMonico Books, 2011.
David Zwirner: Art 42 Basel. New York: David Zwirner, 2011.
Dance/Draw. Boston: ICA Boston, 2011. Texts by Helen Molesworth, Catherine Lord, and Carrie Lambert-Beatty.
Dercon, Chris and Julienne Lorz, eds. Made in Munich: Editionen von 1968Ð2008.Munich: Haus der Kunst, 2011.
Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960 aus einer Privatsammlung. Michael Semff, Corinna Thierolf, and Alexander Klar, eds.Munich: Pinakothek der Moderne, 2011.
Krauss, Karola, ed. Museum der Wunsche. Vienna: Museum moderner Kunst Stiftung Ludwig.
Moreira, Jailton. Convivencias. Dez anos da Bolsa Ibere Camargo. Porto Alegre, Brazil: Fundacao Ibere Camargo, 2011.
Rondeau, James and Anne Rorimer. The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago: Art Institute of Chicago, 2011.
Pascale, Mark. Contemporary Drawings from the Irving Stenn Jr. Collection. Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2011.
Butler, Connie and de Zegher, Catherine. On Line. Drawing Through the Twentieth Century. New York: Museum of Modern Art, 2010.
Contemporary Collecting. Selections from the Howard and Donna Stone Collection.Chicago: Art Institute of Chicago, 2010. Texts by James Cuno, James Rondeau, and Judith Russi Kirshner.
Fuchs, Rudi, Thomas Kellein, Friedrich Meschede, Roland Mšnig, and Guido de Werd. With A Probability of being Seen. Dorothee and Konrad Fischer: Archives of an Attitude. DŸsseldorf: Richter Verlag, 2010.
Malsch, Friedemann, ed. The Open Mind. Celebrating 10 Years at the Kunstmuseum Liechtenstein. Vaduz: Kunstmuseum Liechtenstein; Sulgen: Benteli Verlag.
Modern Times: Responding to Chaos. Cambridge, England: Kettles Yard, 2010. Texts by Lutz Becker, Ian Boyd Whyte, David Elliot, and Nick Wadley.
Rattemeyer, Christian et al. Exhibiting the New Art. Op Losse Schroeven and When Attitudes Become Form, 1969. London: Afterall Books, 2010.
Stockebrand, Marianne. Chinati, Marfa, Texas. The Vision of Donald Judd. Marfa, Texas: Chinati Foundation, in association with Yale University Press, 2010.
Verna, Gianfranco. Werkform und Urzustand. In: Matyssek, Angela. Wann stirbt ein Kunstwerk?. Konservierung des Originalen in der Gegewartskunst. Munich: Verlag Silke Schreiber, 2010.
David Zwirner: Art 40 Basel. New York: David Zwirner, 2009.
Davila, Thierry. In Extremis: Essais sur l'art et ses mdéterritorialisations depuis 1960. Brussels: la Lettre volée, 2009.
E=MC2. Auckland: Jensen Gallery, 2009. Text by Andrew Jensen.
Kellein, Thomas and Roman Grabner, eds. Die große Unschuld. Cologne: Dumont, 2009.
Nueva York: El Papel de las Últimas Vanguardias/New York New Drawings, 1946-2007. Segovia, Spain: Museo de Arte Contemporaneo Esteban Vicente. Text by Elizabeth Finch. Interview with Wynn Kramarsky by William Corbett.
Other Voices, Other Rooms. Long Island City, New York: Dorsky Gallery Curatorial Programs, 2009. Text by Steven Evans.
Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009.
Rattemeyer, Christian. Judith Rothschild Foundation Contemporary Drawings Collection Catalogue Raisonné. New York: Museum of Modern Art, 2009.
The Russian Linesman: Frontiers, Borders, and Thresholds.London: Hayward Publishing, 2009. Text by Mark Wallinger.
Richard, Sophie. Unconcealed: The International Network of Conceptual Artists, 1967–77: Dealers, Exhibitions, and Public Collections. Lynda Morris, ed. London: Ridinghouse, 2009.
So is es und Anders / Porza̜dki urojone. Cologne: Verlag der Buchhandlung Walther König, 2009.
Wei Rales, Emily, Jeffrey Weiss. If We Could Imagine. Potomac, Maryland: Glenstone, 2009.
Whitney, Alexandra, ed. The Helga and Walther Lauffs Collection New York: Zwirner & Wirth; Göttingen: Steidl, 2009. Texts by Iwan Wirth and David Zwirner, Jeffrey Weiss, Gila Strobel and Helga Lauffs, Béatrice Gross, and Alexandra Whitney.
Diagonal. Madrid: Galería Cayón, 2008.
Lines, Grids, Stains, Words. Porto: Museu de Arte Contemporânea de Serralves; Wiesbaden: Museum Wiesbaden, 2008. Texts by Glenn D. Lowry, João Fernandes, and Christian Rattermeyer.
Meyer-Stoll. Christiane. Sammlung Rolf Ricke; ein Zeitdokument. Vaduz: Kunstmuseum Liechtenstein; St Gallen: Kunstmuseum St. Gallen; Frankfurt am Main: Museum für Moderne Kunst; Ostfi ldern: Hatje Cantz.
560 Broadway: A New York Drawing Collection at Work, 1991–2006. Amy Eshoo, ed. New York: Fifth Floor Foundation in association with Yale University Press, New Haven and London, 2007.
All from America (Part One and Part Two). Freiburg: Kunstraum Alexander Bürkle, 2007. Texts by Paul Ege, Julia Galandi-Pascual, Dorothea Leicht, Christiane Meyer-Stoll, and Rolf Hengesbach.
Collection Art Contemporain. La Collection du Centre Pompidou, Musée national d’art moderne. Paris: Éditions du Centre Pompidou, 2007. Texts by Bruno Racine, Baudouin Prot, Alfred Pacquement, and Sophie Dupaix.
Dickel, Hans. 100 Meisterwerke zeitgenössischer Druckgraphik und Beispiele der Photographie aus der Sammlung der Stådtischen Galerie Erlangen. Berlin: Reimer, 2007
I Can Only See Things When I Move. Dresden: Kupferstich Kabinett, Residenzschloss, Staatliche Kunstammlungen, 2007. Texts by Wolfgang Holler, Thomas Ketelsen, Rebekka Reuter, and Katharina, Hoins.
Japan and the West: The Filled Void. Markus Brüderlin, ed. Cologne: DuMont Buchverlag, 2007.
Nineteen-forties to Now: Guggenheim Collection. Melbourne: National Gallery of Victoria, 2007. Texts by Anthony Calneck, Valerie Hillings, et al.
Ongetemda Logica: Hedendaagse Europse en Amerikaanse Abstractie/Logic Unfettered: European and American Abstraction Now.
Amersfoort, Netherlands: Mondriaan Huis, 2007. Text by Juliette Kennedy.
Pensa con i sensi – sensi con la mente.L’arte al presente./Think with the Senses—Feel with the Mind. Art in the Present Tense. Biennale di Venezia. Texts by Davide Croff and Robert Storr. Venice: Biennale di Venezia, 2007.
Schor, Gabriele, ed. Held Together With Water: Kunst aus der Sammlung Verbund/Art from the Verbund Collection. Ostfi ldern: Hatje Cantz, 2007.
Thirty/Forty. Benjamin Buchloh, ed. New York: Marian Goodman Gallery, New York, 2007.
To Be Continued. Stockholm: Magasin 3, Stockholm Konsthall, 2007. Text by David Neuman.
Wall Ceiling Floor: Works by William Anastasi, Donald Judd, and Fred Sandback. Birmingham, Alabama; Birmingham Museum of Art, 2007. Texts by Gail Andrews, Michael Straus,Tiffany Bell, and Thomas McEvilley.
What Is a Line? Drawings from the Collection. New Haven, Connecticut: Yale University Art Gallery, 2007.
Busy Going Crazy: Sylvio Perlstein Collection. Paris: La Maison Rouge, 2006. Texts by Marc Dachy Emmanuel Guigon, Bernard Blistène, Xavier Canonne, Georges Sebbag, and David Rosenberg.
Elemental Form. New York: L&M Arts, New York, 2006. Text by Robert Storr.
Espacio Interior/Inner Space. Madrid: Consejería de Cultura y Deportes, Comunidad de Madrid, 2006. Texts by María Martin and Hans Ulrich Obrist.
Estrecho Dudoso. San José, Costa Rica: Teorética, 2006. Texts by Virginia Pérez-Ratton, et al.
Invisible Might: Works from 1965 to 1971. New York: Nyehaus, 2006. Text by Adrian Dannatt.
La Collection Perlstein, de Dada à l’Art Contemporain. Ghent: Ludion, 2006. Interview with Sylvio Perlstein by David Rosenberg.
Pinakothek der Moderne: Malerei, Skulptur, Fotografi e, neue Medien. Munich: Pinakothek-Dumont, 2006. Texts by Carla Schutz-Hoffmann et al.
Plane/Figure. Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur. Dieter Schwarz, ed. Winterthur: Kunstmuseum Winterthur; Düsseldorf: Richter Verlag, 2006.
Transforming Chronologies: An Atlas of Drawings. New York: The Museum of Modern Art, New York, 2006. Text by Luis Pérez-Oramas.
Twenty-two Questions: A Self-guided Tour Through Dia:Beacon. New York: Dia Art Foundation, 2006.
Garrels, Gary. Drawing from the Modern, 1945–1975. New York: The Museum of Modern Art, 2005.
Grosenick, Uta and Raimar Stange, eds. Inside Insight: Galerien 1945 bis heute. Cologne: DuMont, 2005.
Lailach, Michael. Printed Matter. Die Sammlung Marzona in der Kunstbibiothek/The Marzona Collection at the Kunstbibliothek. Berlin: Staatliche Museen zu Berlin, 2005.
Ongoing: Carl Andre to Vik Muniz. Seoul: Gaain Gallery, 2005. Text by Hyeyoung Shin.
Rothfuss, Joan, and Elizabeth Carpenter. Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis: Walker Art Center, 2005.
Tsai, Eugenie and Cornelia Butler. Robert Smithson. ,Los Angeles; Museum of Contemporary Art; Berkeley: University of California Press, 2005
Wittgenstein in New York. Stadt und Architektur in der neueren Kunst auf Papier. Cologne: Dumont Verlag, 2005. Texts by Hein-Th. Schulze Altcappenberg, Andreas Schalhorn, and Danile Herrmann.
À Angles vifs. Exh. cat. Bordeaux: capcMusée d’art contemporain, 2004. Texts by Maurice Fréchuret, Thierry Davila, Claude Gintz, Michel Gauthier, and Jean-Philippe Antoine.
Beyond Geometry: Experiments in Form, 1940s–1970s. Exh. cat. Los Angeles: Los Angeles County Museum of Art; Cambridge, Massachusetts: MIT Press, 2004. Texts by Lynn Zelevansky, Valerie L. Hillings, Miklós Peternák, Brandon LaBelle, Peter Frank, Inés Katzenstein, and Aleca Le Blanc.
Di Scalzo, Claudio and Roberto Peccolo. 35 anni di estetici ed eroici furori. Livorno : Edizioni Peccolo,
Durchleuchtet: Dialog mit der Sammlung. Exh. cat. Vaduz: Kunstmuseum Liechtenstein, 2004. Texts by Friedemann Malsch, Christiane Meyer-Stoll, and Kristin Schmidt.
Elderfield, John, ed. Painting and Sculpture: 1880 to the Present at the Museum of Modern Art. New York: The Museum of Modern Art, 2004.
Hoffmann, Jens, ed. Artists’ Favourites: Act II. Exh. cat. London: Institute of Contemporary Arts; Frankfurt am Main: Revolver, 2004. Statement byOlafur Eliasson.
L’Art au futur antérieur: l’engagement d’une galerie, 1974–2004. Exh. cat. Grenoble: Musée de Grenoble, 2004. Interview with Liliane and Michel Durand-Dessert by Guy Tosatto.
Marzona, Daniel. Minimal Art. Cologne: Taschen, 2004.
Pour un art concret, la donation Albers-Honegger. Mouans-Sartoux: Espace de l’Art Concret; Paris: Isthme Edition–Editions Sept, 2004. Texts by Sybil Albers-Barrier, François Barré, Gilles Clément, Rudolf Koella, Dominique Boudou, and Catherine Francblin. Interviews with Gottfried Honegger by Dominique Boudou and with Aurelie Nemours by Anne Tronche.
Siegelaub, Seth, with Marion and Roswitha Fricke. The Context of Art. The Art of Context. Trieste: Navado Press, 2004.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present. Exh. cat. New York: Solomon R. Guggenheim Museum, 2004. Texts by Nancy Spector, Mark C. Taylor, Deyan Sudjic, Andrea Codrington, Bruce Jenkins, Gia Kourlas, and Drew Daniel.
Cooke, Lynne, and Michael Govan, Dia:Beacon. Second edition, New York: Dia Art Foundation, 2003.
Cutts, Simon. A Canticle for Fred Sandback. Clonmel: Coracle, 2003.
Neuer Geist in neuen Mauern. Kunstmuseum Liechtenstein. Vaduz: Kunstmuseum Liechtenstein, 2003. Text by Friedemann Malsch.
Drawings of Choice from a New York Collection. Exh. cat. Champaign-Urbana: Krannert Art Museum, University of Illinois; Little Rock: Arkansas Arts Center, 2002. Texts by Josef Helfenstein, Townsend Wolfe, and Jonathan Fineberg.
Sussman, Elizabeth, ed. Eva Hesse. San Francisco: San Francisco Museum of Modern Art, 2002. Fréchuret, Maurice. Les années 70: l'art en cause. Exh. cat. Bordeaux: CAPC Musée d'art contemporain, 2002.
Semff, Michael, ed. Ein Bildhandbuch. Staatliche Graphische Sammlung München. Munich: Staatliche Graphische Sammlung, 2002.
Thierolf, Corinna. Amerikanische Kunst des 20. Jahrhunderts in der Pinakothek der Moderne. Ostfildern-Ruit: Hatje Cantz Verlag, 2002.
A fur et à mesure, une collection, un point de vue. Exh. cat. Mouans-Sartoux: Espace de l’Art Concret, 2001. Text by Dominique Boudou.
Interview with Françoise and Jean-Philippe Billarant by Ghislain Mollet-Viéville. Biggs, Lewis, ed. Second Sight. Leeds: Henry Moore Foundation, 2001.
Die Sammlung Ingrid und Willi Kemp. Exh. cat. Düsseldorf: Museum Kunst Palast, 2001. Texts by Jean-Hubert Martin, Stephan von Wiese, Sylvia Martin, and Raimund Stecker. Interview with Willi Kemp by Christophe Staude.
Harper, James, G. Verso: the Flip Side of Master Drawings. Cambridge, Massachusetts: Harvard University Art Museums, 2001.
One Hundred Drawings and Photographs. Exh. cat. New York: Matthew Marks Gallery, 2001. Text by Matthew Marks.
Rorimer, Anne. New Art in the 60s and 70s: Redefining Reality. London: Thames & Hudson, 2001.
Schneegass, Christian. Minimal-Concept: Zeichenhafte Sprachen im Raum zwischen Werk und Idee, Wahrnehmung und Vorstellung. Berlin: Akademie der Künste; Dresden: Verlag der Kunst, 2001.
(E COSI VIA) (AND SO ON): 99 artisti della Collezione Marzona. Exh. cat. Rome: Galleria Comunale d’Arte Moderna e Contemporanea, 2000. Text by Giovanni Bonasegale.
Endpapers. Exh. cat. Purchase: Neuberger Museum of Art, State University of New York, 2000. Text by Judy Collischan.
Ratcliff, Carter. Out of the Box: The Reinvention of Art 1965–1975. New York: Allworth Press, copublished with School of Visual Arts, 2000.
Utopie concrète: dix ans, vingt-neuf expositions. Mouans-Sartoux: Espace de l’Art Concret, 2000. Texts by Christian Besson, André Aschiéri, Odile Biec Morello, and Gottfried Honneger.
Brockhaus, Christoph, ed. Architektonische Skulptur im 20. Jahrhundert. Exh. cat. Duisburg: Wilhelm-Lehmbruck-Museum, 1999.
Der Holzschnitt im 20. Jahrhundert: 99 Meisterwerke aus der Sammlung des Städtischen Kunstmuseums Spendhaus Reutlingen. Tübingen: Ernst Wasmuth Verlag, 1999. Texts by Beate Thurow, Evamarie Blattner, Maike Christadler, and Martina Köser-Rudolph.
Die Kunst der Linie: Möglichkeiten des Graphischen. Exh. cat. Linz: Landesgalerie Oberösterreich, 1999. Texts by Wieland Schmied, Peter Assmann, et al.
Schmidt, Katharina, and Philip Ursprung, eds White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel. Exh. cat. Basel: Öffentliche Kunstsammlung, 1999. Texts by Katharina Schmidt, Philip Ursprung, Peggy Phelan, David Joselit, and Ann Gibson
Magasin 3 10 År/10 Years. Stockholm: Magasin 3, Stockholm Konsthall, 1998. Text by David Neuman.
Minimal—Maximal. Exh. cat. Bremen: Neues Museum Weserburg, 1998. Texts by Gregor Stemmrich, Margrit Brehm, Peter Friese, and Stephan Schmidt-Wulffen.
Kunst in der Stadt. Bregenz: Kunsthaus and Bregenzer Kunstverein, 1997. Text by Wolfgang Fetz.
Le bel aujourd’hui, oeuvres d’un collection privée. Exh. cat. Villeurbanne: Nouveau Musée, 1997. Texts by Jean-Louis Maubant, et al.
Lee, Pamela, and Christine Mehring, Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection. Exh. cat. Cambridge, Massachusetts: Arthur M. Sackler Museum, Harvard University; Stuttgart: Daco-Verlag Günter Bläse, 1997. Texts by Dieter Schwarz, Christian Schneegass, and Julie Vicinus. German edition published as Zeichnen ist eine andere Art von Sprache: neuere amerikanische Zeichnungen aus einer New Yorker Privatsammlung.
Wood, James, Darthea Speyer, John Vinci, et al. A James Speyer. [Chicago]: Richard Nickel Committee, distributed by University of Chicago Press, 1997.
Heynen, Julian, ed. Zeichnungen 1950–1990. Aus dem Kaiser Wilhelm Museum Krefeld und der Sammlung Helga und Walther Lauffs. Krefeld: Krefelder Kunstmuseen, 1996. Texts by Julian Heynen, Sebastian Egenhofer, and Silke Johannes.
Schwere-los. Skulpturen. Exh. cat. Linz: Landesgalerie, 1996. Texts by Peter Assmann, Katalin Néry, et al.
Die Sammlung Marzona: Arte Povera, Minimal Art, Concept Art, Land Art. Exh. cat. Vienna: Museum moderner Kunst Stiftung Ludwig, 1995. Texts by Lóránd Hegyi and Rainer Fuchs. Interview with Egidio Marzona by Hans-Michael Herzog.
Drawing the Line. Exh. cat. London: South Bank Centre, 1995. Text by Michael Craig-Martin. Schulz-Hoffmann, Carla. “Fred Sandback.” In Staatsgalerie moderner Kunst. Erläuterungen zu ausgewählten Werken. Munich: Bayerische Staatsgemäldesammlungen, 1995.
Sous le soleil. Nice: Villa Arson, 1995. Text by Christian Besson.
Perucchi-Petri, Ursula, ed. Amerikanische Zeichnungen und Graphik von Sol LeWitt bis Bruce Nauman. Exh. cat. Zurich: Kunsthaus Zürich, 1994. Texts by Gerhard Mack, et al.
Das Einfache ist das Schwierige. Exh. cat. Zug: Kunsthaus, 1993. Texts by Stefan Gronert and Rainer Peikert.
Espace libéré. Exh. cat. Mouans-Sartoux: Espace de l'Art Concret, 1993. Texts by Odile Biec and Sybil Albers-Barrier.
Lieu d'Art Contemporain. Sigean: Lieu d'Art Contemporain, 1993. Text by Geneviève Brun.
Buchholz, Daniel, and Gregorio Magnani, eds. International Index of Multiples. Exh. cat. Cologne: Verlag der Buchhandlung Walther König, 1992.
Galerie mit Bleistift. Ausstellungen bei Konrad Fischer Düsseldorf, Oktober 1967–Oktober 1992. Bielefeld: Edition Marzona, 1992. Footnote by Carl Andre.
Kerber, Bernhard. Bestände Onnasch. Bremen: Neues Museum Weserburg, 1992.
Reinhardt, Georg. Druckgraphische Mappenwerke 1960–1991. Exh. cat. Leverkusen: Museum Morsbroich, 1992.
Schwerpunkt Skulptur. Exh. cat. Krefeld: Kaiser Wilhelm Museum, 1992. Texts by Gerhard Storck and Julian Heynen.
Yvon Lambert collectionne. Exh. cat. Villeneuve d’Ascq: Musée d’Art Moderne de la Communauté Urbaine de Lille; Tourcoign: Musée des Beaux-Arts de Tourcoign, 1992. Interview with Yvon Lambert by Joëlle Pijaudier.
Emanuel Hoffmann-Stiftung, Basel. Basel: Wiese Verlag, 1991. Texts by Vera Oeri-Hoffmann, et al.
Virginia Dwan: Art Minimal, Art Conceptuel, Earthworks. Exh. cat. Paris: Galerie Montaigne, 1991. Texts by Loïc Malle and Jan van der Marck.
Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona. Stuttgart: Edition Cantz, 1990. Text by Erich Franz.
Goedl, Monika. Der Galerie-Verein München, 1965–1990. Vol. 1: Bilder und Objekte in der Staatsgalerie moderner Kunst. Vol. 2: Zeichnungen und Druckgraphik in der Staatlichen Graphischen Sammlung München. Munich: Galerie-Verein München, 1990.
Minimalism. London: Nicola Jacobs Gallery, 1990.
Minimalism and Post-Minimalism: Drawing Distinctions. Hanover: Hood Museum of Art, Dartmouth College, 1990. Text by James Cuno.
Minimalist Prints. New York: Susan Sheehan Gallery, 1990. Text by Poppy Gandler Orchier.
Radikal auf Papier. Aarau: Aargauer Kunsthaus, 1990. Text by Stephan Kunz.
Stockebrand, Marianne, ed. Rolf Ricke. Cologne: Verlag der Buchhandlung Walther König, 1990.
The Future of the Object! A Selection of American Art: Minimalism and After. Antwerp: Galerie Ronny van de Velde, 1990. Text by Kenneth Baker.
Walker, Barry. Projects and Portfolios: The Twenty-fifth National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum; n.p.: Hine Editions, 1989.
Kunst der Gegenwart, 1960 bis Ende der 80er Jahre. Bestandskatalog Städtisches Museum Abteiberg Mönchengladbach. Mönchengladbach: Städtisches Museum Abteiberg, 1988.Text by Dierk Stemmler.
Art Cake: Private sammeln Gegenwartskunst, 1980–1986. Exh. cat. Zurich: Kunsthaus Zürich, 1987. Text by Marc Egger.
Schulz-Hoffmann, Carla. “Minimal Art.” In Staatsgalerie moderner Kunst. Ein Rundgang durch die Sammlung. Munich: Bayerische Staatsgemäldesammlungen, 1987.
Trends in Geometric Abstract Art. Gifts from the Riklis Collection of the McCrory Corporation and Works from the Tel Aviv Museum Collection. Exh. cat. Tel Aviv: Tel Aviv Museum of Art, 1986. Texts by Marc Scheps and Willy Rotzler.
Process und Konstruction—1985 in München. Exh. cat. Lodz: Archives of Contemporary Thought, 1985. Text by Ryszard Wasko.
The Maximal Implications of the Minimal Line. Exh. cat. Annandale-on-Hudson: Edith C. Blum Art Institute, Bard College, 1985. Texts by Linda Weintraub, Donald Kuspit, and Phyllis Tuchman.
Vom Zeichnen: Aspekte der Zeichnung, 1960–1985. Exh. cat. Frankfurt am Main: Frankfurter Kunstverein, 1985. Text by Peter Weiermair.
Weiermair, Peter, ed. Von für über Heinz Gappmayr. Innsbruck: Allerheiligenpresse; Zirndorf: Verlag für moderne Kunst, 1985.
Bellman, David. Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection. Exh. cat. New York: Joseph E. Seagram and Sons, 1984. Texts by David Bellman and Phyllis Lambert.
Collectie Becht. Beeldende Kunst uit de Verzameling van Agnes en Frits Becht. Utrecht: Uitgeverij Reflex; Weesp: Openbaar kunstbezit; Amsterdam: Stedelijk Museum, 1984.
Schjeldahl, Peter. “Minimalism.” In Art of Our Time: The Saatchi Collection, vol. 1. London: Lund Humphries in association with Rizzoli International, New York, 1984. Republished in
German in Stemmrich, Gregor, ed. Minimal Art. Eine kritische Retrospektive. Dresden and Basel: Verlag der Kunst, 1995.
Sammlung Helga und Walther Lauffs. Exh. cat. Krefeld: Kaiser Wilhelm Museum, 1983. Texts by Gerhard Storck, Paul Wember, Julian Heynen, and Marianne Stockebrand.
Schwarz Weiss. Exh. cat. Munich: Galerien Maximilianstraße, 1983.
Fleck, Robert. Avantgarde in Wien: die Geschichte der Galerie nächst St. Stephan, 1954–1982. Vienna: Löcker Verlag, 1982.
Pohl, Erika, Ursula Ströher, and Gerhard Pohl eds. Karl Ströher: Sammler und Sammlung. Ferpicloz: n.p., 1982. Text by Gerhard Pohl; catalogue by Johann-Karl Schmidt.
Konstrukcja w Procesie. Rindge: Thousand Secreteries Press. Texts by Ryszard Wasko, Andrzej Slowik, et al.
Kren, Alfred, ed. Amerikanische Zeichnungen der siebziger Jahre. Exh. cat. Humlebaek: Louisiana Museum of Modern Art; Munich: Prestel Verlag, 1981. Texts by Alfred Kren and Carter Ratcliff.
Lapidar. Exh. cat. Stuttgart: Galerie d+c muellerroth, 1981. Text by Gislind Nabakowski.
Mise en pièces, mise en place, mise au point. Exh. cat. Chalon-sur-Saône: Maison de la Culture; Dijon: Le Coin du Miroir, 1981. Texts by Frank Gautherot, Xavier Douroux, Christian Besson, Fred Sandback, et al.
Castleman, Riva. Exh. cat. Printed Art: A View of Two Decades. New York: Museum of Modern Art, 1980.
Lapp Princess 1980 Calendar. New York: Lapp Princess Press, 1980.
Pier and Ocean. Construction in the Art of the Seventies. Exh. cat. London: Arts Council of Great Britain, 1980. Texts by Gerhard von Graevenitz, et al.
Seventy-third American Exhibition. Exh. cat. Chicago: Art Institute of Chicago, 1979. Text by Anne Rorimer.
Friedrich, Six. “Installationen.” In Architektur—Räume—Projekte. Munich: Galerien Maximilianstraße, 1978.
documenta 6. Vol. 3: Handzeichnungen, Utopisches Design, Bücher. Exh. cat. Kassel: Paul Dierichs Verlag, 1977. Text by Wieland Schmied.
Kruglewsky-Anders, Lieselotte, ed. Graphik im 20. Jahrhundert: 50 Jahre Griffelkunstvereinigung. Hamburg: Edition Griffelkunst, 1977. Texts by Wolf Stubbe and Carl Vogel.
Plan and Space. Exh. cat. Gent: Proka, 1977. Texts by Bernard Marcelis, Wim van Mulders, Georges Roque, Fred Sandback, et al.
20 Jahre. Exh. cat. Krefeld: Museum Haus Lange, 1976.
Drawing/Transparency; Disegno/trasparenza. Exh. cat. Rome: Cannaviello Studio d’Arte, 1976. Text by Achille Bonito Oliva.
Rooms. Exh. cat. Long Island City, New York: Institute for Art and Urban Resources, P.S. 1, 1976.
Rose, Bernice. Drawing Now. Exh. cat. New York: Museum of Modern Art, 1976. Extended version published as Zeichnung heute—Drawing Now. Exh. cat. Zurich: Kunsthaus Zürich, 1976.
Zeichnungen 3: USA. Exh. cat. Leverkusen: Städtisches Museum, Schloss Morsbroich, 1975. Text by Rolf Wedewer.
Amerikanische und englische Graphik der Gegenwart aus der Graphischen Sammlung der Staatsgalerie Stuttgart. Exh. cat. Stuttgart: Staatsgalerie; Hannover: Kestner-Museum,1974. Text by Gunther Thiem.
Multiples: Ein Versuch die Entwicklung des Auflagenobjektes darzustellen. Exh. cat. Berlin: Neuer Berliner Kunstverein, 1974. Texts by René Block, Marian Goodman/John Loring, et al.
Neue Medien—Neue Methoden. Exh. cat. Bregenz: Vorarlberger Verlagsanstalt, 1973. Text by Peter Weiermair.
Winkler, Gerd. Kunstwetterlage. Stuttgart: Belser Verlag, 1973.
420 West Broadway at Spoleto Festival. Exh. cat. New York: Leo Castelli Gallery, André Emmerich Gallery, Sonnabend Gallery, John Weber Gallery, 1972. Text by Barbara Rose.
Actualité d’un bilan. Exh. cat. Paris: Galerie Yvon Lambert, 1972. Texts by Michel Claura and Yvon Lambert.
Beleg II: Neuerwerbungen 1969–1972. Mönchengladbach: Städtisches Museum, 1972. Text by Johannes Cladders.
The Modern Image. Exh. cat. Atlanta: High Museum of Art, 1972. Texts by Gudmund Vigtrel, John Hower, and Karl Nickel.
20 artisti americani. Exh. cat. Bari: Chase Manhattan Bank. 1971. Texts by Frank Salerno and Pietro Marino.
Sammlung Cremer: Kunst der sechziger Jahre. Exh. cat. Heidelberg: Heidelberger Kunstverein, 1971. Text by Hans Gercke. van Beijeren, Geert, and Coosje Kapteyn, eds.
Sonsbeek 71. Exh. cat. Deventer: Drukkerij De IJssel, 1971. Text by W. A. L. Beeren.
Adriani, Götz, ed. Bildnerische Ausdrucksformen, 1960–1970: Sammlung Karl Ströher im Hessischen Landesmuseum Darmstadt. Darmstadt: Hessisches Landesmuseum, 1970. Texts by Gerhard Bott and Karl Ströher. Amman, Jean-Christophe, and Harald Szeemann.
Von Hodler zur Antiform; Geschichte der Kunsthalle Bern. Bern: Benteli Verlag, 1970.
Conceptual Art, Arte Povera, Land Art. Exh. cat. Turin: Galleria Civica d´Arte Moderna, 1970. Text by Germano Celant.
Fünf Künstler in fünf Räumen. Exh. cat. Wuppertal: Kunst- und Museumsverein, 1970. Text by Günther Aust. String and Rope. Exh. cat. New York: Sidney Janis Gallery, 1970. Troisième salon international de galeries pilotes Lausanne Paris. Exh. cat. Lausanne: Musée Cantonal des Beaux-Arts, 1970. Texts by René Berger, et al.
Between Object and Environment. Exh. cat. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969. Text by Stephen Prokopoff.
Contemporary American Sculpture; Selection 2. Exh. cat. New York: Whitney Museum of American Art, 1969. Text by John Baur.
Drawings. Exh. cat. Fort Worth: Fort Worth Art Center, 1969. Texts by Henry T. Hopkins and Peter Plagens.
Hang Ups and Put Downs. Exh. cat. Madison: Fine Arts Galleries, University of Wisconsin, 1969. Texts by Laurence Rathsack and John N. Colt.
Here and Now. Exh. cat. St. Louis: Washington University Gallery of Art, 1969. Text by David Sewell.
Lippard, Lucy, ed. 557,087. Exh. cat. Seattle: Seattle Art Museum Pavilion, 1969. Another edition was published as 955,000. Exh. cat. Vancouver: Vancouver Art Gallery, 1970.
Live in Your Head—When Attitudes Become Form. Exh. cat. Bern: Kunsthalle Bern, 1969. Texts by Harald Szeemann, Scott Burton, Tommaso Trini, and Grégoire Muller.
New Materials: Procedures in Sculpture. Exh. cat. Austin: Austin Arts Center, Trinity College, 1969.
Other Ideas. Exh. cat. Detroit: Detroit Art Institute, 1969. Text by Samuel J. Wagstaff.
Sammlung 1968 Karl Ströher. Exh. cat. Berlin: Deutsche Gesellschaft für Bildende Kunst e.V. (Kunstverein Berlin) and Neue Nationalgalerie; Düsseldorf: Städtische Kunsthalle; Bern: Kunsthalle Bern, 1969. Texts by Hans Strelow and Jürgen Wissmann.
Wedewer, Rolf, and Konrad Fischer, Konzeption—Conception. Dokumentation einer heutigen Kunstrichtung. Exh. cat. Leverkusen: Städtisches Museum, Schloss Morsbroich, 1969. Texts by Rolf Wedewer and Sol LeWitt.
1968 Annual Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1968.
ABC Art, Cool Art, Minimum Art, Minimal Art, Primary Structure, Neue Monumente, IMI Art. Exh. cat. Berlin: Galerie René Block, 1968.
Prospect 68. Exh. cat. Düsseldorf: Städtische Kunsthalle, 1968. Texts by Konrad Fischer and Hans Strelow.