Galerie Hubert Winter

Danica Phelps

<div class='biography-intro'><p><a href="https://www.danicaphelpsprojects.com/">https://www.danicaphelpsprojects.com</a></p> <h3 class="year">1971</h3> <p>born in New York, NY</p> <h3 class="year">1995</h3> <p>MFA, Rhode Island School of Design</p> <h3 class="year">1994</h3> <p>Skowhegan School of Painting and Sculpture</p> <h3 class="year">1993</h3> <p>Hampshire College, Amherst, Mass</p> </div><div class='wrap-h2'><h2 class="category">Solo exhibitions (Selection)</h2> <div class='wrap-h3'><h3 class="year">2022</h3> <p><em>Founding</em><br>N F Nieves Fernandez, Madrid</p> </div><div class='wrap-h3'><h3 class="year">2019</h3> <p><em>Danica Phelps</em><br>Galerie Hubert Winter, Vienna</p> </div><div class='wrap-h3'><h3 class="year">2018</h3> <p><em>Many Drops Fill a Bucket</em><br>Luis De Jesus Los Angeles</p> </div><div class='wrap-h3'><h3 class="year">2017</h3> <p><em>Danica Phelps</em><br>Orth Contemporary, Tulsa, OK</p> <p><br /><em>Hoping to Help</em><br>Weatherspoon Art Museum, Greensbroro, NC</p> <p><br /><em>Danica Phelps</em><br>NF/Nieves Fernandez, Madrid</p> </div><div class='wrap-h3'><h3 class="year">2016</h3> <p><em>Danica Phelps</em><br>Weatherspoon Art Museum, Greensboro, NC</p> </div><div class='wrap-h3'><h3 class="year">2015</h3> <p><em>Mapping Chico</em><br>University Art Gallery, California State University, Chico, CA</p> <p><em>Income’s Outcome (Part Five)</em><br>Galerie Werner Klein, Cologne, Germany</p> </div><div class='wrap-h3'><h3 class="year">2014</h3> <p><em>Income’s outcome (Part three)</em><br>Patrick Heide Gallery<br /><br /><em>Income’s Outcome (Part four)</em><br>Gallerie Laurent Mueller, Paris</p> </div><div class='wrap-h3'><h3 class="year">2013</h3> <p><em>Income’s Outcome</em><br>Dina4 Projekte, Munich. Income’s Outcome, N F Galeria, Madrid</p> </div><div class='wrap-h3'><h3 class="year">2012</h3> <p><em>The Cost of Love</em><br>Brennan &amp; Griffin, New York</p> </div><div class='wrap-h3'><h3 class="year">2011</h3> <p>Galerie Hubert Winter, Vienna</p> <p><em>The Cost of Love, </em><br>Galeria Nieves Fernández, Madrid</p> <p><em>Bankrupt, </em><br>Ritter/Zamet, London</p> </div><div class='wrap-h3'><h3 class="year">2009</h3> <p><em>Mark Down</em><br> Nolan Judin, Berlin</p> <p><em>Drawings about the present quickly become works about the past, </em><br>Kathryn Brennan Gallery, Los Angeles, CA</p> <p><em>Nesting, </em><br>Judi Rotenberg gallery, Boston, MA</p> </div><div class='wrap-h3'><h3 class="year">2008</h3> <p><em>Drawings about the present quickly become works about the past</em><br> Galleria Glance, Turin</p> <p><em>Now and Then, </em><br>Kavi Gupta Gallery, Chicago</p> <p><em>Saving Time</em><br> Galeria Nieves Fernández, Madrid</p> <p><em>Getting Ready, </em><br>Dina4Projekte, Munich</p> <p><em>Stripe Factory</em><br> Sister, Los Angeles</p> <p><em>Material Recovery, </em><br>Zach Feuer, New York</p> <p><em>Danica Phelps: This Time last Year</em><br> Ritter/Zamet, London</p> <p><em>Saving Time, </em><br>Thirty Seven Degrees, Sydney</p> </div><div class='wrap-h3'><h3 class="year">2007</h3> <p><em>Stripe Factory</em><br> Rotwand, Zurich</p> </div><div class='wrap-h3'><h3 class="year">2006</h3> <p>Galerie Hubert Winter, Vienna</p> <p>Sister Gallery, Los Angeles</p> <p>dina4 Projekt, Munich</p> </div><div class='wrap-h3'><h3 class="year">2005</h3> <p><em>Wake</em><br>Zach Feuer Gallery, New York</p> <p><em>Integrating Sex into Everyday Life</em><br>Galerie Schütte, Essen; Staub gfzgk*, Zurich</p> <p><em>Getting My Money's Worth</em><br>Ritter/Zamet, London</p> <p><em>2 D.s-w/Debi Ray-Chaudhuri</em><br>Kavi Gupta Gallery, Chicago, IL</p> </div><div class='wrap-h3'><h3 class="year">2004</h3> <p>Galerie Hubert Winter, Vienna</p> <p>Allston Skirt Gallery, Boston, MA</p> <p><em>Writers Trade</em><br>Falconer Gallery, Grinnell, Iowa</p> <p>Judi Rotenberg Gallery, Boston, MA</p> <p>Sister Gallery, Los Angeles, CA</p> <p>Art House, Austin, TX</p> </div><div class='wrap-h3'><h3 class="year">2003</h3> <p><em>Integrating Sex into Every Day Life</em><br>LFL Gallery, New York, NY</p> <p><em>Ten Day Trade</em><br>OR Gallery, Vancouver</p> </div><div class='wrap-h3'><h3 class="year">2002</h3> <p><em>Walking 9-5 Amsterdam</em><br>Annet Gelink Gallery, Amsterdam, Holland</p> <p><em>New Drawings</em><br>Galerie Schütte, Essen</p> <p><em>Artist, Collector, Curator, Spy</em><br>LFL Gallery, New York, NY</p> </div><div class='wrap-h3'><h3 class="year">2001</h3> <p><em>Trade Two</em><br>LFL Gallery, New York, NY</p> </div><div class='wrap-h3'><h3 class="year">2000</h3> <p><em>From Barcelona to Krems</em><br>Galerie Stadtpark, Krems</p> <p><em>2nd Generation</em><br>Herter Gallery: UMASS, Amherst, MA</p> <p><em>Bill Trip</em><br>Maine Center for Contemporary Art Rockport, ME</p> <p><em>Bill Trip</em><br>Project Room, Roberts &amp; Tilton, Los Angeles, CA</p> <p><em>Walking: From Los Angeles to San Fransisco</em><br>Michael Martin Gallery, San Francisco, CA</p> </div><div class='wrap-h3'><h3 class="year">1998</h3> <p><em>Funny Money</em><br>Jack Tilton Gallery, New York, NY</p> </div><div class='wrap-h3'><h3 class="year">1994</h3> <p><em>A Housewife at Work</em><br>Sol Koffler Gallery, RISD, Providence, RI</p> </div> </div><div class='wrap-h2'><h2 class="category">Group exhibitions (Selection)</h2> <div class='wrap-h3'><h3 class="year">2018</h3> <p><em>Nor Heat Nor Gloom of Night</em><br>Tiger Strikes Astroid, LA<br /><br /><em>Time Draw</em><br>Galerie Werner Klein, Cologne, Germany</p> </div><div class='wrap-h3'><h3 class="year">2017</h3> <p><em>Oliver Twist, Chapter 2</em><br>Rental Gallery, East Hampton, NY<br /><br /><em>Indirect Representations</em><br>curated by Joe Fig, Cristian Tierney Gallery, NYC</p> </div><div class='wrap-h3'><h3 class="year">2016</h3> <p><em>Wound</em><br>41 Cooper Gallery, NYC<br /><br /><em>Loups</em><br>Musee Cogacq-Jay, Paris<br /><br /><em>Drawing Rooms, Trends in Contemporary Graphic Arts</em><br>Hamburger Kunsthalle, Hamburg, Germany</p> </div><div class='wrap-h3'><h3 class="year">2015</h3> <p><em>Lists</em><br>Drive-by Projects, Boston</p> <p><em>Vienna Biennale 2015: Ideas for Change</em><br>Austrian Museum of Applied Arts/Contemporary Art, Vienna, Austria</p> <p><em>Creativity at Work</em><br>Sun Valley Art Center, Idaho.</p> <p><em>Color and System</em><br>Werner Klein, Cologne</p> </div><div class='wrap-h3'><h3 class="year">2014</h3> <p><em>The Lightning Speed of the Present</em><br>808 Gallery, Boston University</p> <p><em>Boston Creativity at Work</em><br>Sun Valley Art Center, Sun Valley, Idaho</p> </div><div class='wrap-h3'><h3 class="year">2013</h3> <p><em>Zeichnung 13</em><br>Galerie Michael Sturm, Stuttgart</p> <p><em>Double Take</em><br>Mill College Art museum, Oakland</p> <p><em>The Drawing Room</em><br>Ursula Blickle Stiftung, Kralchtal-Unterowishelm, Germany/ Taxipalais, Innsbruck</p> <p><em>Artist’s Walks</em><br>The Persistance of Peripaticism, Dorsky Gallery, New York</p> <p><em>Kunst und Neue Arbeitswelt</em><br>Stadtische Galerie Waldkraiburg</p> <p><em>Hawk and Handsaw: Twenty Who Knew the Difference</em><br>Center for Maine Contemporary Art, Rockport</p> </div><div class='wrap-h3'><h3 class="year">2012</h3> <p><em>Storytelling in Contemporary Drawing, </em><br>Museum Folkwang, Essen</p> </div><div class='wrap-h3'><h3 class="year">2011</h3> <p><em>Selections from the Collection, </em><br>DePauw University, Greencastle, IN</p> <p><em>Drawings on Hands</em><br>Print Room, Rotterdam</p> <p><em>BROODWORK: It’s About Time, </em><br>Otis Ben Maltz Gallery<em>, </em><br>OTIS College of Art and Design, Los Angeles, CA</p> </div><div class='wrap-h3'><h3 class="year">2010</h3> <p><em>Day-to-Day (PHOTOS): Artists’ Daily Practices, </em><br>Martos Gallery, New York</p> <p><em>The Philosophy of Money, </em><br>White Pavilion of the Lisbon City Museum, Lisbon, Portugal</p> <p><em>Pictures about Pictures, </em><br>Museum Moderner Kunst Stiftung Ludwig, Vienna</p> <p><em>Desire, </em><br>Blanton Museum of Art, The University of Texas at Austin, Austin, TX</p> <p><em>Hampshire College 40th Anniversary Alumni Art Exhibition, </em><br>Hampshire College, Amherst, MA</p> <p><em>In Transit, </em><br>Rotwand, Zurich</p> <p><em>Slightly Unbalanced, </em><br>Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond, VA</p> <p><em>Everyday(s), </em><br>Casino Luxembourg – Forum d’art contemporain, Luxembourg, LU</p> <p><em>New Language, </em><br>Ogilvy &amp; Mather, New York</p> </div><div class='wrap-h3'><h3 class="year">2009</h3> <p><em>Slightly Unbalanced, </em><br>Hunington Museum of Art, Huntington, WV; Paul and Lulu Hilliard University Art Museum, Lafayette, LA</p> </div><div class='wrap-h3'><h3 class="year">2008</h3> <p><em>Sign/Age: Lost in the Supermarket</em><br> Armand Bartos Fine Art, New York</p> <p><em>When a clock is seen from the side it no longer tells the time</em><br> Johann König, Berlin</p> <p><em>The Enterprise of Art</em><br> Palazzo delle Arti Napoli, Naples</p> <p><em>Linear Perspectives</em><br> Center for Maine Contemporary Art, Rockport</p> <p><em>Collecting &amp; Collectivity</em><br> Conduit Gallery, Dallas</p> <p><em>Slightly Unbalanced</em><br> Chicago Cultural Center, Chicago, IL; Museum London, Ontario; Huntington Museum of Art, Huntington; Paul and Lulu Hilliard University Art Museum, Lafayette; Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond</p> <p><em>A Matter of Time</em><br> Andrea Meislin Gallery, New York</p> </div><div class='wrap-h3'><h3 class="year">2007</h3> <p><em>Perspectives 159: Superconscious, Automatisms Now, </em><br>Contemporary Museum of Art, Houston</p> <p><em>Skirting the Line: Conceptual Drawing</em><br> The New Center for Contemporary Art, Louisville</p> <p><em>Drawing is a verb</em><br> Coleccao Madeira Corporate Services, Porta 33, Itha da Porta</p> <p><em>The Price of Everything… Perspectives on the Art Market</em><br> City University of New York Graduate Center, New York</p> <p><em>Ceci n’est pas… (this is not…)</em><br> Sara Melltzer Gallery, New York</p> <p><em>Tease</em><br> Mireille Mosler Ltd., New York</p> <p><em>Warhol &amp; …</em><br> Kantor/Feuer, Los Angeles</p> <p><em>Summer Group Show</em><br> Galleria Glance, Turin</p> <p><em>Minimalism and Applied</em><br> Daimler Chrysler Contemporary, Berlin</p> <p><em>Don’t Look: Contemporary Drawings from an Alumna’s Collection, Martina Yamin, Class of 1958</em><br> Davis Museum and Cultural Center at Wellesley College, Wellesley</p> <p><em>A Great Delicacy, </em><br>Taylor De Cordoba Gallery, Los Angeles</p> </div><div class='wrap-h3'><h3 class="year">2006</h3> <p><em>Particulate Matter</em><br>Mills College Art Museum, Oakland, CA</p> <p><em>BIN BESCHÄFTIGT</em><br>Gesellschaft für Aktuelle Kunst, Bremen</p> <p><em>2. Biennale der Zeichnung</em><br>Kunstverein Eislingen</p> <p><em>Two Takes</em><br>Allston Skirt Gallery, Boston</p> <p><em>Speed</em><br>Galerie Staubkohler, Zürich</p> <p>Manzelli/Mir/Owens/Pessoli/Phelps, Studio Guenzani, Mailand</p> <p><em>WALKING &amp; FALLING</em><br>Magasin 3, Stockholm</p> </div><div class='wrap-h3'><h3 class="year">2005</h3> <p><em>The General's Jamboree </em><br>Guild and Greyshkul, New York</p> <p><em>Dating Data</em><br>Josee Bienvenu Gallery, New York</p> <p><em>Linien Zeichnung</em><br>Dinah4 Projekte, München</p> <p><em>22 Anniversary </em><br>Jack Tilton Gallery, New York</p> </div><div class='wrap-h3'><h3 class="year">2004</h3> <p><em>Self Evidence: Identity in Contemporary Art</em><br>DeCordova Museum, Lincoln, MA. </p> <p><em>Home</em><br>D.U.M.B.O. Arts Center, Brooklyn, NY. </p> <p>“<em>Art As Autobiography</em><br>”, Rare Gallery, New York, NY </p> <p><em>Sexy Beast</em><br>Ethan Cohen Fine Art, New York, NY. </p> <p>9 th Drawing Invitational, Arkansas Arts Center, Little Rock, AR. </p> <p>Kunsthalle Exnergasse, Wien.</p> <p><em>Neoqueer</em><br>Center of Contemporary Art, Seattle, OR. </p> <p>Brooklyn Museum of Art, Brooklyn, NY.</p> <p>Farnsworth Museum of Art, Rockland, ME.</p> </div><div class='wrap-h3'><h3 class="year">2003</h3> <p><em>I'm nothing with out you</em><br>Platform Gallery, Istanbul.</p> <p><em>Frankenstein</em><br>Tanya Bonakdar Gallery, New York, NY.</p> <p><em>Fresh Meat</em><br>Cepa Gallery, Buffalo, NY. </p> <p><em>Living Inside the Grid</em><br>New Museum of Contemporary Art, New York, NY.</p> <p><em>For the Record: Drawing Contemporary Life</em><br>Vancouver Art Gallery, Kanada.</p> <p><em>Walking Rhetorics</em><br>Galerie Hubert Winter, Wien.</p> <p><em>New York Drawings</em><br>Samuel Harn Museum of Art, University of Florida, Gainesville, Fl. </p> <p><em>Subscribe</em><br>Bard Center for Curatorial Studies, Annadale, New York. </p> </div><div class='wrap-h3'><h3 class="year">2002</h3> <p><em>Bootleg Identity</em><br>Caren Golden Fine Art, New York, NY. </p> <p><em>Special Needs</em><br>Verein fur Bildende Kunst, Graz.</p> </div><div class='wrap-h3'><h3 class="year">2001</h3> <p><em>Domestic Culture</em><br>ICA at MECA, Portland, ME. </p> <p><em>Contemporary Narratives</em><br>Skidmore College, Saratoga Springs, NY. </p> <p><em>Brooklyn!</em><br>ICA at Palm Beach, Palm Beach, Fl. </p> <p><em>Going:</em><br>Urban Institute of Contemporary Art, Grand Rapids, MI.</p> <p><em>No where Fast</em><br>Lizebeth Oliveria Gallery, Oakland, CA.</p> <p><em>In Transit</em><br>Vacancy Gallery, Bronx, NY.</p> <p><em>Inside the City</em><br>Gallery 400, UIC, Chicago, Ill. </p> <p><em>Another Cusp</em><br>Gallery of Colgate University, Hamilton, NY. </p> <p><em>Let's Get to Work</em><br> (travel), Susquehanna Art Museum, Harrisburg, PA. </p> </div><div class='wrap-h3'><h3 class="year">2000</h3> <p><em>Vida Politica</em><br>(cat.) SALA MONTCADA “la Caixa”, Barcelona.</p> <p><em>To Be Continued</em><br>Art in General, Bellwether, Parlor Projects, Brooklyn, NY. </p> </div><div class='wrap-h3'><h3 class="year">1999</h3> <p><em>Time and Duration</em><br>Angels Gallery, Santa Monica, CA.</p> <p><em>100 Drawings</em><br>PS1, New York, NY. </p> <p>Gallery Artists, Jack Tilton Gallery, New York, NY. </p> <p><em>Document</em><br>Hampshire College, Amherst, MA.</p> </div><div class='wrap-h3'><h3 class="year">1998</h3> <p><em>Inventory</em><br>White Columns, New York, NY. </p> </div><div class='wrap-h3'><h3 class="year">1995</h3> <p><em>The Body Politic</em><br>Maine Coast Artists, Rockport, ME (2 person show). </p> <p><em>Subjectifying Objects, Mobilizing Objects</em><br>Artemesia Gallery, Chicago, Ill. (2 person show).</p> <p><em>These Fantasies are Normal</em><br>HERE Gallery, New York, NY.</p> </div> </div><div class='wrap-h2'><h2 class="category">Awards</h2> <div class='wrap-h3'><h3 class="year">2001</h3> <p>New York Foundation for the Arts: Individual Artists Grant </p> </div><div class='wrap-h3'><h3 class="year">1998</h3> <p>Rema Hort Mann emerging artist grant </p> </div><div class='wrap-h3'><h3 class="year">1994</h3> <p>Zorach Fellowship to attend Skowhegan </p></div></div>