After her intervention SELF that exposed the complete electrical system of the art space (Kunstraum NOE, Vienna, 2010) and Implantat, a reduplication of the exhibition space at the Galerie im Taxispalais (Innsbruck, 2010) she continues with consequence her analytical questioning of space. The room itself with all his peculiarities becomes a vector for sculptural prosthesis. Wall drawings refer to existing circuits under the surfaces and subsurface. Technical and generative processes form a recurrent element of Judith Fegerls´ sculptures and objects.
The cycle of energy comes up in Reflux, a new work created for this exhibition. The artwork turn into a “thinking engine” that sets off an aesthetical production process, that will be depict at the end in new objects.
3rd Moscow International Biennale for Young Art, Moscow Museum of Modern Art, Moscow; Desiring the Real, Austrian Contemporary, MOCAB, Belgrade
Kunstforum Montafon, Montafon; Reflecting Reality, Freud Museum, Vienna;
Copenhagen Fotofestival, Galerie Rhode Contemporary, Copenhagen; Normalzeit, Expedithalle, Vienna
nineteeneightyfour, Austrian Cultural Forum, New York; Phönix in der Asche, Atelierhaus Praterinsel, Munch; prelude, Projekt dreizehnthirteen, Kreuzberg, Berlin
Science vs Fiction, Betonsalon, Paris; No Regrets, Stalke Gallery, Copenhagen