Galerie Hubert Winter

Mary Ellen Carroll

<div class='wrap-h2'><h2 class="category">Books and Publications</h2> <p>MEC, SteidlMACK, London 2010.</p> <p>All OF THE MEN WHO THINK THAT THEY CAN BE ME,</p> <p>OneStar Press, Paris, 2006.</p> <p>ME vs I, with an essay by the noted Lacanian analyst Stuart</p> <p>Schneiderman, Walter König, Köln (in progress). </p> <p>KRUDER AND DORFMEISTER, in collaboration with Tan Lin, Faux Presse,</p> <p>Cambridge, MA, 2007. </p> <p>A Modist Prepozel/A Modest Proposal, with an essay by Frank Boyle,</p> <p>published by SUNY Binghamton, 1992.</p> <p>WITHOUT INTENT, a photo-documentation of New York,</p> <p>Presse Endemique, 1995. </p> <p>100 German Men, Presse Endemique, 1998.</p> <p> </p> </div><div class='wrap-h2'><h2 class="category">Selected Reviews and Publications</h2> <div class='wrap-h3'><h3 class="year">2017</h3> <p>Bloomberg News, 2017.</p> <p>The Guardian, Destroying a rotating house in Houston: the end of a long-running art project, Wendy Vogel, 2017</p> </div><div class='wrap-h3'><h3 class="year">2014</h3> <p>New City, 2014.</p> </div><div class='wrap-h3'><h3 class="year">2013</h3> <p>Afterall, 2013.</p> </div><div class='wrap-h3'><h3 class="year">2012</h3> <p>ArtForum, 2012, Critic´s Pick.</p> <p>Domus, Open Outcry, 2012.</p> <p>Icon, Open Outcry 2012.</p> <p>ArtForum, Busan Biennale 2012, by David Joselit.</p> </div><div class='wrap-h3'><h3 class="year">2011</h3> <p>NYTIMES, 2011, Holland Cotter</p> </div><div class='wrap-h3'><h3 class="year">2010</h3> <p>Afterall, 2010, Claire Barliant.</p> <p>ArtForum, 2010, Lauren O'Neal Butler</p> <p>NYTIMES, 2010, Joyce Wadler.</p> </div><div class='wrap-h3'><h3 class="year">2009</h3> <p>ArtLies, 2009.</p> <p>ArtForum, 2009.</p> </div><div class='wrap-h3'><h3 class="year">2007</h3> <p>NYTimes, 2007.</p> <p>Architect´s Newspaper, 2007.</p> <p>ID Magazine, 2007.</p> </div><div class='wrap-h3'><h3 class="year">2005</h3> <p>Barliant, Claire, ArtForum 2005.</p> <p>Domus, 2005.</p> <p>Time Out, 2005.</p> </div><div class='wrap-h3'><h3 class="year">2004</h3> <p>Princenthal, Nanca, Bookforum, 2004.</p> </div><div class='wrap-h3'><h3 class="year">2002 </h3> <p>Interiors Magazine.</p> </div><div class='wrap-h3'><h3 class="year">2001</h3> <p>Johnson, Ken, The New York Times, November, 2001.</p> </div><div class='wrap-h3'><h3 class="year">2000</h3> <p>Sonna, Birgit, Süddeutsche Zeitung Nr. 66, <em>Ein Hoch auf das Kuckucksei</em>, 20.03.2000.</p> </div><div class='wrap-h3'><h3 class="year">1999</h3> <p>Lin, Tan, Artbyte, September, 1999. </p> <p>Surface Magazine, October, 1999.</p> </div><div class='wrap-h3'><h3 class="year">1998</h3> <p>Princenthal, Nancy, On Paper, Summer, 1998.</p> </div><div class='wrap-h3'><h3 class="year">1997</h3> <p>Hofleitner, Johanna, Die Presse, September 19, 1997. </p> </div><div class='wrap-h3'><h3 class="year">1996</h3> <p>Aletti, Vince, The Village Voice, May 1996. </p> <p>Princenthal, Nancy, On Paper, Winter, 1996. </p> <p>Phillips, Patricia, Winter 1996. </p> </div><div class='wrap-h3'><h3 class="year">1995</h3> <p>Princenthal, Nancy, The Print Collector's Newsletter, January 1995. </p> <p>New Yorker, January, 1995. </p> <p>New York Magazine, January, 1995.</p> <p>Robinson, Joyce Henri, New Art Examiner, March 1995 </p> <p>Kachur, Lewis, Artpapers, Spring 1995. </p> <p>Volk, Gregory, Art News, Summer 1995. </p> <p>Vine, Richard, Art In America, May 1995.</p> </div><div class='wrap-h3'><h3 class="year">1994</h3> <p>Willumson, Glenn, Catalog Essay,<em>Double Plots</em>, Palmer Museum, 1994. </p> </div><div class='wrap-h3'><h3 class="year">1993</h3> <p>Förch, Julia, Stuttgarter Nachrichten, <em>Zwischen Hoffen und Bangen</em>, August 18, 1993.</p> </div><div class='wrap-h3'><h3 class="year">1992</h3> <p>Levin, Kim, Voice Choices, The Village Voice, pg. 71, July 14, 1992.</p> </div><div class='wrap-h3'><h3 class="year">1991</h3> <p>Jacob, Mary Jane, Coast to Coast, 1991.</p> </div><div class='wrap-h3'><h3 class="year">1989</h3> <p>McCracken, David, <em>Returning the Grotesque</em>, Chicago Tribune, pg. 60, December 1989. </p> <p>Porges, Timothy, Chicago, Contemporanea, pgs. 8-9, May 1989. </p> <p>Donato, Deborah, The Oblique Strategies of Intertextuality, 1989.</p> </div> </div><div class='wrap-h2'><h2 class="category">Articles, Essays by Mary Ellen Carroll</h2> <p><em>Itinerant Gastronomy</em>, for Gastronomica, a Journal of Food and Culture,</p> <p>University of California at Berkeley, 2003. </p> <p>Robert Blanchon, Obituary and essay, The New Art Examiner, 2000. </p> <p>Robert Blanchon, LA LA LA LA LA LA LA LA LA LA LA LA LA,</p> <p>Catalog essay, 1998. </p> <p>Worn Clothes or Real Clothes, Zing Magazine, Fall.</p> </div><div class='wrap-h2'><h2 class="category">Curatorial Projects</h2> <p><em>ITINERANT GASTRONOMY II</em> at Apex Art, 2002. </p> <p><em>Spaceship Earth</em>, Art in General, 1999. </p> <p><em>ITINERANT GASTRONOMY I</em>, 1997. </p> <p><em>700 CLUBS, ONGOING EXHIBITIONS, TALKS, FILM SCREENINGS</em>, 1992—1999.</p></div>